EGO OBLITERATION FROM THE ACTOR

EGO OBLITERATION FROM THE ACTOR

I first did the Butoh lightning bolt exercise in about 1989. It transformed much of my practical thinking about theatre. While Butoh in performance often leaves me cold, its value for training actors is immense. Nothing compares with it when it comes to finding ways...
DANCE ME TO OBLIVION AGAIN

DANCE ME TO OBLIVION AGAIN

  art, theatre and reality dance to a deathly tune with farcical absurdity for a somnambulist audience Shadow House PITS aims to create theatre that struggles to escape the defined certainty of beliefs, factual interpretations and points of view. Dance Me was...
Who Should Act?

Who Should Act?

Who should act? What does it take to put oneself in front of an audience? We come back to theatre’s value. What is its role within a culture and society? Imagine theatre’s function is really that of the Elizabethan version of the All Licensed Fool. He was...